


Chicken Riot
Often creativity is lost within a monotonous world and snatched by an eight-hour work day. Chicken Riot invites one into this narrative day and the life of a mundane factory worker whose visuals are captured within machinery and anxiety. These compositions embody a healing process as these relate to difficult personal experiences from the time working in a meat processing plant.
Illustrator has inspired me to create this narrative as it has allowed me to use expression within shapes and textures to map out my experience in a chronological order. Artists such as Salvador Dali and Owen Davy, as well as films such as “Chicken Run” and “Inside Out” heavily influenced my style during this healing journey. The colour scheme and values helped me bring my narrative to perspective. Psychology also has been a huge part of this show as I feel the time I have served in this meat processing plant allowed me to go through stages of recognition. From a place of annoyance and anxiety, to deconstructing myself into this abstracted machine that seems to only know redundancy to finally ending the shift as a car leaving this industrial world behind; into pure bliss of freedom in becoming this creative individual that I am meant to be.
Over all I feel that this exhibition is a healing process. A way of coping through an industrial world that seemed to have laid me out flat countless of times. A rude awakening of becoming true to myself and understanding where my creativity needs to go in the future. This body of work has empowered me to take action as a graphic designer.

This is a saturated scene as this emphasises my feeling to a town that seems to have no creativity or expression. The only big topic is industrial work and factory jobs. Typical boring Motown.

Silver Addy Award. Creative Quarterly n. 52 - Runner Up This represents the idea of getting rid of the past and understanding that there's another chapter to be met and that the past needs to be left behind.

This image is about repetitive work shift that seems to kill off creativity. Ambitions are not met as the day progresses into a tiring theme of exhaustion.

Better to be pissed off than pissed on. Creative Quarterly n. 52 - Winner Sold to the ETSU Art Collection This strikes to be an edgy illustration as I show frustration to the deep depths. A joke and reality of how a work shift can bring so much irritation and anguish feelings. This seems to be the wrong journey and flight for a creative person.

A mixture of escape and adventure are final solutions to this series as this illustration represents a revolution for a creative journey to begin.